Live ambient / experimental music by:
-->Ian Martin
-->Cinema Perdu
-->Machinist
Dj’s -->M.& Alacidus
Entrance: what you want to give
Open: 20:30 uur / Start: 21:00 uur / Last train to Amsterdam and Utrecht 00:45 / First train to Amsterdam and Utrecht 05:00
Location: Sociëteit 12tot24 / Stationsplein 12, 1211 EX, Hilversum, NL / Hilversum Centraal Station, busstation, next to Starbucks, 4th floor
www.enfant-terrible.nl / http://www.stichtingmagdalena.nl/
Statistik: Verfasst von M — 13.11.2014 (21:48)
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Originally founded in 1992 by Dominik Guerin (SPK) and Jon Evans and with the inclusion of John Murphy (ex-SPK, Krank, Shining Vril), the Australian unit LAST DOMINION LOST can be seen as the true successors of ... ? ... guess which band? ... yes! S, P, K, ... so, you surely don`t want to miss their set @ Marie-Antoinette 22nd of August 2014 in Berlin, where LAST DOMINION LOST will present their brand new album "Towers of Silence", released by Silken Tofu & The Epicurean. Come and see!
Bandcamp: https://epicureanescapism.bandcamp.com/ ... of-silence
Video teaser: https://www.youtube.com/watch?v=UAaPgDQmD8s
Statistik: Verfasst von fin de siècle — 22.08.2014 (9:07)
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Statistik: Verfasst von fin de siècle — 14.07.2014 (12:08)
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An event in two parts:
Radio Resistencia @ the Loft in collaboration with Sentience & xXx-Berlin. Program: Former Descent vs Sololust, Europ Europ, FOQL, Neugeborene Nachtmusik, Good Cop / Naughty Cop and dj M.
Where: the Loft (xXx-Berlin), Skalitzerstrasse 33-3 OG, (Courtyard > Eingang B > 3rd floor), Berlin
When: 14.00 - 19.00 hour
How: 7 euro
Disko Resistencia @ Mindpirates. Program: dj M., dj Alacidus, dj Philipp Strobel and dj Down The Rabbit Hole.
Where: Mindpirates Vereinsheim, Schlesische Strasse 38, Haus F (3rd Hinterhof), Berlin
See more at: http://mindpirates.org/verein/?page_id= ... XpIHr.dpuf
When: starts at 22.00 hour
How: 6 euro
On Facebook afternoon session: https://www.facebook.com/events/698361486894419/
On Facebook nighttime party: https://www.facebook.com/events/326766494140687/
http://www.enfant-terrible.nl/events.htm
Statistik: Verfasst von M — 15.06.2014 (12:46)
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Raubbau and The Epicurean present:
Der Tag der Befreiung ist nah!!! (19)
EPICUREAN ESCAPISM FESTIVAL
22nd & 23rd of August 2014 @ Marie Antoinette, Berlin
- - - - -
Friday 22 August
Performing artists:
MORTHOUND (SE)
MARTIN BLADH (SE)
LAST DOMINION LOST (AUS)
HUMAN LARVAE (DE)
Video screening:
ANENZEPHALIA (DE)
Exhibition:
MARTIN BLADH (SE)
KAROLINA URBANIAK (UK)
DJ:
PHILIPP STROBEL (aufnahme + wiedergabe)
Doors open: 20:00
Start: 20:30
- - - - -
Saturday 23 August
Performing artists:
SOPHIA (SE)
CON-DOM (UK)
MEGAPTERA (SE)
KOMMANDO (DE)
Video screening:
MARTIN BLADH (SE)
Exhibition:
MARTIN BLADH (SE)
KAROLINA URBANIAK (UK)
DJs:
TEAM RAUBBAU
-
Merchandise:
THE EPICUREAN
RAUBBAU
Doors open: 20:00
Start: 20:30
- - - - -
Monday 25 August (Afterparty)
@ Madame Claude, Lübbener Str. 19, 10997 Berlin
Performing artists:
BRUT (UK)
THE GRIMSEL PATH (AUS)
Doors open: 21:00
Start: 22:00
- - - - -
Venue: Marie Antoinette, Holzmarktstr. 15, 10179 Berlin (nearby S Jannowitzbrücke, below the train tracks)
Tickets: http://www.raubbau.bigcartel.com
Festival website & more information:
http://www.transformed.de/
http://www.raubbau.org/
Statistik: Verfasst von fin de siècle — 15.04.2014 (9:04)
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THE NEW BLOCKADERS(uk)
http://www.thenewblockaders.org.uk/
The New Blockaders may sound like a hip Indie Rock band, and they may want you to believe such a thing to lure unsuspecting listeners. As merchants of 'anti-music,' they embrace Luigi Russolo's The Art of Noises manifesto (1913) and although Russolo is widely credited as being the first major noise theorist, contemporary Noise artists like TNB were the first to progress from the use of noise as assault on tonality to the development of a rich, complex language capable of subtleties of shade and nuance without sacrificing any of its feral power or ability to unlock repressed personae in the listener.
Their manifesto (1982) proclaims, 'Blockade is resistance. It is our duty to blockade and induce others to blockade: Anti-music, anti-art, anti-books, anti-films, anti-communications. We will make anti-statements about anything and everything. We will make a point of being pointless…’ Everything about TNB entails refusal. The title of their collection Gesamtnichtswerk is important here. It reminds us of Wagner’s dream of the ‘total art work’ – the Gesamtkunstwerk, but the art is replaced by nothing.
Lazier souls than I would place TNB within the pantheon-lineage of UK Industrial, although I see them as a free-standing unit with more in common with the Futurists and (maybe) Einsturzende Neubauten (without the ‘songs’): Electrical tools, metal, ear-shredding static noise - the very definition of nihilism through sound. Superficial similarities exist to forbearers like AMM’s free form music aesthetic, Throbbing Gristle’s Second Annual Report and Lou Reed’s one-off decadent, noise-loop experimentation Metal Machine Music. TNB differ in that they have never burdened themselves with writing excessive, sleazy Rock Pop put on, prone to current Pop culture sampling obsessions or attempts at confining unruly, nihilistic sounds. They create a true musical sound cluster of destruction to such an extent that their so-called ‘anti-music’ transcends nihilism into positivism/optimism suggesting new music.
TNB always suggested more than a band or musical project. They are bent almost as much on philosophy and literary ambitions, issuing manifestos and texts and referencing the likes of Debussy and Nietzsche. TNB never set out to be part of a self-glorifying youth movement where pompous, romanticized bullshit dies hard in an endless, capitalistic magic show. Instead, they depict the emotional tonalities of an ambivalent, ambiguous new century with no form and direction. Their musical legacy offers respite from the fraudulent herd of co-opted streamlined sounds, which masquerade as experimental.
They served as a major influence on legendary Noise pioneers as Merzbow and their influence on the current crop of popular crossover Noise artists such as Prurient and Wolf Eyes is immeasurable. Collaborations in recent years with artists such as Sonic Youth's Thurston Moore have brought their anti-sound to a younger and diverse audience. The metal-bashing of K2, the awkwardness of Runzelstirn & Gurgelstock, the density of Macronympha and the abrasiveness of Merzbow all owe something to the anti-music of TNB. They, more than any other, define the essence of true Noise music both in art and in act.
Statistik: Verfasst von towerpromotions — 14.04.2014 (12:19)
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thorofon
born 1995, died in 2005 & resurrected in 2010
mutated powerelectronics, disturbed rhythms & forced noise riots for a
decaying human mass
the main releases:
M.P.S. 1996
Final Movement 2001
This Summer Suicide 2003
New Heroes 2005
Exkarnation 2011
Targets 2012
thorofon presents a very special classic show with blasting tracks from
the early years (1995 - 2001): maximum noise, minimal pop
Statistik: Verfasst von towerpromotions — 12.04.2014 (14:18)
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Ke/Hil is habitat industrial, field work closely observing a deprived and callous population’s behaviour in a hostile environment, while seeking to wipe away the neon gloss from facades, showing gloom and bleakness lurking behind, exposing the ultimate cause for resistance without anything to achieve but resistance going on…- a look from inside a precarious scenery!
Statistik: Verfasst von towerpromotions — 09.04.2014 (15:01)
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Cathartic Post Industrial delving deep into the psyche – the core of inner regions violently exposed. IRM is a physical theatre,where the shell of the body and mind has cracked - an offending encounter with the human mind.”
With more than ten years in the making IRM have established themselves as an unique high profile act and released several albums on Cold Meat Industry, Segerhuva, Annihilvs and Autarkeia.
IRM are currently busy finishing the follow up to their Order4 album (2010). The new album will be entitled Closure... and it will be the concluding part of the triology that started out with the Indications of Nigredo EP (2008).
Closure... will be released sometime during 2014.
IRMs live performances can be described as vivid, organic and auido-schmerzed manifestations of personal Catharsis and Self-renunication/salvation.
Either if you like it or not; Indifference is not an option here!"
Statistik: Verfasst von towerpromotions — 08.04.2014 (12:55)
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