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KRACHCOM in noise we trust 2009-08-11T15:50:43+01:00 http://krachcom.de/phpBB3/feed.php?f=22&t=8558 2009-08-11T15:50:43+01:00 2009-08-11T15:50:43+01:00 http://krachcom.de/phpBB3/viewtopic.php?t=8558&p=96265#p96265 <![CDATA[NEW 1000FUSSLER RELEASES: RUI COSTA / SIMON WHETHAM]]> Two new Releases are out now!

Best wishes,
1000füssler / Gregory Büttner
http://www.1000fussler.com

NEW !!!!

RUI COSTA
Sight seeing For The Blind
CD, (56:20 min), 300 copies, cardboard cover
© 2009 / 1000füssler 012, Release Date: August 2009

Tracklist:
Rui Costa: Sight seeing For The Blind, 26‘22

further Sightings
Gregory Büttner: Side Play for Blinds, 5‘43
Pali Meursault: Hidden Insights, 5‘08
Bill Jarboe: Sightseeing joint sdif 2', 3‘58
Maile Colbert: Site Sighing for the Time, 5‘01
Marc Behrens: Site for a Numb, 9‘54

“The idea for the piece first came to me in 2005, when I was invited to develop a sound project with the city of Lisbon as its theme. I decided to wander through the city, making a series of sound recordings using a pair of binaural microphones. What I concluded from these recordings was that, more than capturing the sound of the place or its “atmosphereâ€, they reflected a lot about me: my decisions of where to go, what places to avoid, how fast to walk, how long to linger in one place… preconceived ideas of what I wanted to be captured on tape.
Later I followed up on this idea by introducing an element of “sonic sightseeingâ€. I grabbed a tourist guide of Lisbon, walked along the recommended hiking routes and made recordings with binaural and shotgun microphones. I wrote down my impressions, states of mind, mental associations and decisions and then mapped the recorded sounds against these notes, considering them as “instructions†or “cues†for a sound composition.
I suppose that the experience that tourists get from a city is in great measure determined by the randomness of these almost unconscious impressions, of a permanent mapping out of what they see against their desires, preconceived ideas, memories, etc. All in all, my intention was to convert this process into a method for sound composition using field recordings.â€
more info: http://www.1000fussler.com/seiten/releases.html
please listen: http://www.1000fussler.com/music/Sights ... xcerpt.mp3

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NEW !!!!

SIMON WHETHAM

D/R
CDR, (47:30 min), 100 copies, digipak cover
© 2009 / 1000füssler 013, Release Date: August 2009

Tracklist:
Tallinn 27‘37
Decrescendo 12‘34
Yoko 7‘20

“October 2008, I join a group of UK based performance artists in Tallinn, Estonia, to produce new collaborative works as guests of Non Grata. The project, Co-LAB‘08, is organised and run by Orion Maxted and protopPLAY. The theme of the project is ‚Deconstruction/Reconstruction‘, appropriate as this reflects my composing using field recordings.
The first performances are solo, showcasing existing work. I spend two days recording and composing in Tallinn, performing a 30 minute sound piece for the group.
The second performance has barely begun when the power is cut and a hole is smashed in the wall of the performance space with a sledgehammer.
The third performance is a group reaction to this, starting loud and intense, gradually becoming calm and peaceful.
Throughout the fourth performance, individuals reacted to artists actions during the previous performance. My subject, Yoko Ishiguro, carried out the following: smoking, cooking, washing her hair, eating a banana, attempting all simultaneously.â€
more info: http://www.1000fussler.com/seiten/releases.html
please listen: http://www.1000fussler.com/music/d_r_yoko_excerpt.mp3


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Statistik: Verfasst von 1000füssler — 11.08.2009 (15:50)


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